UbbinFallsbook: April 2013

Selasa, 30 April 2013

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With the softcover long out of print, here is your chance to get this very limited HC edition! Along with his Hong Kong Cavaliers, Banzai must battle more than one surprise arch enemy, each with their own motives, but all acting in concert to bring Banzai to his knees! All this sandwiched between a couple of great rock and roll guitar solos, a few surgical procedures, a crazy gun battle on land and air, Buck's one chance for the ultimate revenge, his soul in turmoil, all the chicks digging him, engineering synchronicity, pretty toilets, a human pickle, and a giant sombrero!

Sales Rank: #3847948 in Books
Published on: 2012-06-20
Original language: English
Binding: Hardcover
118 pages

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0 of 0 people found the following review helpful.
A Fun Story for Fans
By Baycity
If you're a Buckaroo Banzai fan this is a no-brainer. (And if you're not a fan, rent the movie, now). It moves the story forward and shows what could have been done with a sequel. I'm not sure how much someone unfamiliar with Buckaroo universe would enjoy it, but it's a great trip back if you've already been there. The extras are nice, too.

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Senin, 29 April 2013

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Our ability to acknowledge and recognise our own identity - our 'self' - is a characteristic doubtless unique to humans. Where does this feeling come from? How does the combination of neurophysiological processes coupled with our interaction with the outside world construct this coherent identity? We know that our social interactions contribute via the eyes, ears etc. However, our self is not only influenced by our senses. It is also influenced by the actions we perform and those we see others perform. Our brain anticipates the effects of our own actions and simulates the actions of others. In this way, we become able to understand ourselves and to understand the actions and emotions of others. This book is the first to describe the new field of 'Motor Cognition' - one to which the author's contribution has been seminal. Though motor actions have long been studied by neuroscientists and physiologists, it is only recently that scientists have considered the role of actions in building the self. How consciousness of action is part of self-consciousness, how one's own actions determine the sense of being an agent, how actions performed by others impact on ourselves for understanding others, differentiating ourselves from them and learning from them: these questions are raised and discussed throughout the book, drawing on experimental, clinical, and theoretical bases. The advent of new neuroscience techniques, like neuroimaging and direct electrical brain stimulation, together with a renewal of behavioral methods in cognitive psychology, provide new insights into this area. Mental imagery of action, self-recognition, consciousness of actions, imitation can be objectively studied using these new tools. The results of these investigations shed light on clinical disorders in neurology, psychiatry and in neuro-development. This is a major new work that will lay down the foundations for the field of motor cognition.

Sales Rank: #1666540 in Books
Published on: 2006-08-24
Original language: English
Number of items: 1
Dimensions: 6.10" h x .50" w x 9.10" l, .76 pounds
Binding: Paperback
224 pages

Review
This book is a tour de force covering encompassing neuropsychology, neurophysiology, philosophy, neuoimaging, comparative neurobiology and clinical studies to support a thought provoking perspective on motor functioning. I would recommend this book to those interested in the study of neural production of movements... BMA Medical Book Competition 2007 ...this accumulation of findings and ideas by a foremost researcher in the field would undoubtedly be of benefit to postgraduates and academics of the subject. The Psychologist

About the Author

Marc Jeannerod, born in Lyon, France.
Doctor in Medicine (1965), Thesis in Lyon, on sleep mechanisms. Post-doc at the Brain Research Institute, UCLA, Los Angeles (California). Professor in Physiology at the University Claude Bernard, Lyon. Runs his own lab on sensory-motor coordination, until 1997. 1997-2005: Founder and Director of the Institut des Sciences Cognitives, Lyon. In this Institute, works on the mechanisms of the generation of actions

Member, Académie des Sciences.

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Jumat, 26 April 2013

[D987.Ebook] Fee Download Dictionary of Proverbs (Wordsworth Reference), by George Latimer Apperson

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Compiled from G.L. Apperson's original and painstaking research of nearly three thousand works dating as far back as the twelfth century and earlier, and built upon the foundations of the great Oxford English Dictionary, the Dictionary of Proverbs traces the origins and history of English proverbs and proverbial phrases. The original author has avoided the purely aphoristic and moral, which have little claim to proverbial use, and has codified this notoriously verbal rather than literary form in a way which earned the gratitude of the compilers of the Oxford Dictionary of Proverbs. The proverbs are grouped alphabetically and by subject, with copious cross-references throughout, rendering the dictionary as great a joy to consult as it is to browse through. This new edition includes over 500 new entries covering new examples, such as The customer is always right, There's no such thing as a free lunch, If it ain't broke, don't fix it, Life is too short to stuff a mushroom, and The family that prays together, stays together.

Sales Rank: #3377738 in Books
Published on: 2006-05-10
Original language: English
Number of items: 1
Dimensions: 1.40" h x 4.90" w x 7.70" l, .90 pounds
Binding: Paperback
656 pages

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2 of 2 people found the following review helpful.
A good dictionary of phrases, not proverbs
By Damien
80% of the elements listed are phrases, idioms, or quotations that are neither current nor proverbs.
The references are good though, and the authors list several famous authors who used the phrase or saying, with its old form, which is convenient for diachronic studies .

All in all average. For a real dictionary of "proverbs" and examples in context, choose the Flavell.

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Kamis, 25 April 2013

[M387.Ebook] Ebook Download Statistics, by William Hays

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Statistics by Hays,William. [1994,5th Edition.] Hardcover

Sales Rank: #809331 in Books
Published on: 1994-01-02
Original language: English
Number of items: 1
Dimensions: 9.54" h x 1.76" w x 7.65" l, 3.95 pounds
Binding: Hardcover
1136 pages

Review
Preface. Introduction. Elementary Probability Theory. Frequency and Probability Distributions. A Discrete Random Variable: The Binomial. Central Tendency and Variability. Sampling Distributions and Point Estimation. Normal Population and Sampling Distributions. Hypothesis Testing. Inferences About Population Means. The Chi-Square and F Distributions. The General Linear Model and the Analysis of Variance. Comparisons Among Means. Factorial Designs and Higher-Order Analysis of Variance. Analysis of Variance Models II and III: Random Effects and Mixed Models. Problems in Regression and Correlation. Partial and Multiple Regression. Further Topics in Regression. The Analysis of Covariance. Analyzing Qualitative Data: Chi-Square Tests. Terms You Should Know. Practice Exercises. Exercises. Appendix A: Rules of Summation. Appendix B: The Algebra of Expectations. Appendix C: Joint Random Variables and Linear Combinations. Appendix D: Some Principles and Applications of Matrix Algebra. Appendix E: Sets and Functions. Appendix F: Tables. Appendix G: Solutions to Selected Exercises References and Suggestions for Further Reading. Glossary of Symbols. Index.

About the Author
Kim Hays teaches in the Department of Social Psychology at the University of Z?rich. As executive director of the non-profit Action for Children's Television from 1979 to 1983, she edited "TV, Science, and Kids: Teaching Our Children to Question".

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16 of 18 people found the following review helpful.
Invaluable reference; Not for pleasure reading
By N. Schweitzer
Hays's text is not meant for everyone; hence the mixed reviews. It was not the primary source from which I gained my knowledge of statistics; however it serves as an invaluable reference. Unlike some of the other reviewers, I had little difficulty understanding the material as Hays presented it. Some of the criticisms are points well-taken; for example a lack of annotation in the power tables at the end of the book (which are still decipherable if you know what you're looking at).
This text is for the mathematically inclined-it is not a "how-to" book, rather a "why" book that thoroughly explains the theory behind a variety of popular inferential techniques. If this is the sort of knowledge you are seeking, Hays is the book for you. If you are interested in a more "common-sense" or applied approach, perhaps you should look elsewhere.

5 of 5 people found the following review helpful.
Excellent if you are not a minor in the field anymore
By C. H. van Wijk
'Hays' is truely a classic; one of the few books that will stay close at hand as long as I work (as an applied social scientist). It did not teach me statistics, but since then the book has helped me many times to understand statistics a bit better. Don't use it as an introduction to the field. Reach for this book every time you want to know more about "why so" after you have learned "how to do".

22 of 25 people found the following review helpful.
Useful as a reference, not as a book to learn from
By Words Dance Before my Eyes in a Meaningless Procession
I agree with Van Denburg's evaluation.
I am a graduate student in Psychology, and I find the Hays text mostly illegible. His prose is dense and his explanations rely very heavily on mathematical formulae instead of real-world or logical/verbal descriptions. Furthermore, he falls into the typical "math textbook" pit of giving solutions to only the example problems that are exceptions to what one would usually encounter.
This is especially bad considering that my concentration specializes in statistical inference, and I've studied mathematics through differential equations (including linear algebra, multivariate).
Worse, Hays has a tendency to use different symbols to represent variables compared to other statistical texts (and in some cases, the rest of the world!)
Lastly, the tables that Hays has in the back of his book are not notated. He does not explain what each table represents, or what the x or y axis are. In one case, he has two entries for each lookup in the ANOVA Power of Association (omega squared) (Table XII, page 1032). Nowhere in the table does it mention what these two values are for.
It is only in one paragraph 600 pages earlier, that he explains that the two values are for alpha=0.05 and 0.01 and that n must be equal for both groups!! (page 410)
I am currently relying on several other texts to understand statistics for the social/behaviourial sciences. If you are extremely comfortable with mathematics to describe your behaviourial tests, you may find this book valuable. If you prefer a more descriptive approach, I suggest another one.

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Rabu, 24 April 2013

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Danny Elfman is recognized as one of the most successful, interesting, and innovative figures in recent film music composition. He came to the fore in the late 1980s in connection with his collaboration with Tim Burton on his films including Pee-Wee's Big Adventure (1985), Beetlejuice (1988), Batman (1989), Edward Scissorhands (1990), The Nightmare before Christmas (1993), and Sleepy Hollow (1999). In addition to this, Elfman has composed music for more than 40 other films, including Somersby (1993), Dolores Claibourne (1995), Good Will Hunting (1997), Men in Black (1997), and Spiderman (2002).

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Sales Rank: #893452 in Books
Published on: 2004-09-07
Released on: 2004-09-07
Original language: English
Number of items: 1
Dimensions: 8.70" h x .51" w x 5.56" l, .62 pounds
Binding: Paperback
192 pages

Review
Elfman's original score supports well over half of Tim Burton's two-hour Batman, which is no small achievement. In addition, Elfman proved how effective music can be in what is usually called the "action movie" genre. Halfyard...examines Elfman's composition career, including his contributions to Weird Science, Edward Scissorhands and a number of offbeat comedies, showing how his work began to differ from the usual scores of the 1980s and 1990s. She analyzes the themes behind Batman and Elfman's effective use of duality in describing a complex character in conflict, set against others clearly good or evil. Halfyard then works through the score and film scene for scene. (Reference and Research Book News)

...a thoroughly researched and extremely useful guide....compact, accessible, and highly informative.... (Music & Letters, February 2007)

Even if music theory isn't your cup of tea (or its terminology is simply baffling), Halfyard's book will serve as an excellent reference work, and the career and film assessments are invigorating. Though Scarecrow Press has thus far published three volumes in their Film Score series, hopefully it'll continue further, and perhaps Halfyard will tackle another composer of particular note. (Mark Richard Hasan Music From The Movies)

About the Author
Janet K. Halfyard is a senior lecturer at Birmingham Conservatoire, a faculty of the University of Central England, where she teaches courses in film music, and twentieth century and contemporary music.

Most helpful customer reviews

18 of 20 people found the following review helpful.
Excellent read for Elfman fans
By jeff-t
I bought the score to Batman when it came out in 1989, and consequently decided that I wanted to do music for film. When I saw that this book was available, I immediately wanted to get it. It's extremely in depth, looking at every angle of the score, it's relationship with the film, the cultural significance of both the film and the score, the orchestration, the overall thematic elements, etc. I can only imagine how many times the author must have seen the film. I thoroughly enjoyed it.

2 of 3 people found the following review helpful.
Good book, good read, but sorely lacking in score examples
By Ralph W. Whitfield Jr.
This book is a very interesting read. It is full of details about Danny Elfman's history and how he got to where he is today: one of the most ingenious, and recognizable composers of this era.

I had hopes of learning more about Elfman's compositional style and method. I had hopes of seeing some of the scores from the "Batman" film in order to study his methods better. That not what I got.

There is at best 30 measures of actual music in the book, and of those 30 or so measures they are partial scores that focus on individual individual groups instead of the score as whole.

I had hoped to see plenty of score to study. That is not what I got.

0 of 0 people found the following review helpful.
I wish there were more books like this!
By William Kounter
Excellent analysis of a superb film score from one of my favorite film composers--Danny Elfman. (David Arnold and John Williams are my other favorite composers.)

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Can a type of music be "owned"? Examining how music is linked to racial constructs and how African American musicians and audiences reacted to white appropriation, Blues Music in the Sixties shows the stakes when whites claim the right to play and live the blues.

In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness--especially black masculinity--remained a marker of authenticity. Crossing color lines and mixing the beats of B.B. King, Eric Clapton, and Janis Joplin; the Newport Folk Festival and the American Folk Blues Festival; and publications such as Living Blues, Ulrich Adelt discusses these developments, including the international aspects of the blues. He highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audiences and cultural brokers.

Sales Rank: #3449611 in Books
Brand: Brand: Rutgers University Press
Published on: 2011-09-07
Released on: 2011-08-31
Original language: English
Number of items: 1
Dimensions: 8.90" h x .60" w x 6.00" l, .65 pounds
Binding: Paperback
204 pages

Features

Used Book in Good Condition

Review
"Meticulously documented and engagingly written, Blues Music in the Sixties: A Story in Black and White is a book that I have been waiting for since the 1980s. In these six case studies Adelt addresses important issues about race relations, rock music, the folk revival, and the music business during the decade when so many white music enthusiasts 'discovered' many forms of black American music, perhaps most importantly the blues."

(Kip Lornell Department of Music, George Washington University)

"Ultimately, this book is not so much a traditional musicology as a study in reception dynamics and the politics of authenticity. As such, it's a valuable addition to the work of folks like Charles Keil and George Lipsitz." (Cadence 2011-03-01)

From the Inside Flap
In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness-especially black masculinity-remained a marker of authenticity. "Blues Music in the Sixties" discusses these developments, including the international aspects of the blues. It highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audiences and cultural brokers.

About the Author
Ulrich Adelt is an assistant professor of American Studies and African American and Diaspora Studies at the University of Wyoming. He has published articles in a number of journals, including American Quarterly and the Journal of Popular Music Studies.

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0 of 0 people found the following review helpful.
complex idea expressed eloquently
By William S. Pepper IV
Studied scholarly examination of what the Blues are and are not. Thought provoking analysis. Interesting anecdotes. The case studies are well done and a fast read once one gets past the rather ponderous introduction. Recommended read for Blues enthusiasts.

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[L428.Ebook] Download The World's Religions: Worldviews and Contemporary Issues (3rd Edition), by William A. Young

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For courses in World Religions or Comparative Religions.

This introduction to the world's religions provides an orientation to the study of religion; surveys the stages of development, worldviews, and current situations of the major world religions; and discusses the ways these religions respond to contemporary ethical issues. It also presents a sampling of new religious movements and looks to the possible ways the world's religions may interact in the 21st century. Its distinctive “framework for understanding” religious worldviews allows students to compare and contrast the teachings of religions objectively.

Sales Rank: #640212 in Books
Brand: Brand: Pearson
Published on: 2009-08-10
Original language: English
Number of items: 1
Dimensions: 9.10" h x .70" w x 6.90" l, 1.40 pounds
Binding: Paperback
448 pages

Features

Used Book in Good Condition

About the Author
William Young is Professor of Religious Studies at Westminster College in Fulton, Missouri. In addition to The World’s Religions: Worldviews and Contemporary Ethical Issues (3rd edition, 2009) he is co-author (with Christian Hauer) of the widely-adopted textbook An Introduction to the Bible: A Journey into Three Worlds (Prentice Hall, 7th edition, 2008) and author of Quest for Harmony: Native American Spiritual Traditions (Hackett Press, 2006). During a thirty-five year teaching career, he has introduced generations of students to the world’s religions and taught a wide variety of special topic courses ranging from Religion and Politics to Spiritual Ecology: Religion and Nature.

Most helpful customer reviews

5 of 5 people found the following review helpful.
A Religious World View
By Hayward
I use this as the textbook for the college class I teach on Introduction to World Religions. The best part of this text is that it sets up a consistent approach to all the religions it studies. It gives a working definition of religion and consistently applies that definition throughout the text. This book allows the reader to compare each religion using seven ideas. This allows the students to compare and contrast all religions from the same framework - a wonderful method. The text does make an occasional error such as the statement on Christianity's view of human nature (not all Christian denominations hold the same view on this topic). These can be corrected by the instructor. It also deals with contemporary, new American religions. The last section of the textbook deals with the application of the world's religious views to morality. It deals with controversial topics such as Gender, Homosexuality, War, Economics, Environmental issues, etc. This section the students enjoy as they see the views of different religions played out in moral application.There are some draw backs to the book. It is readable but very methodical. It has few pictures and no color shots which would enhance the presentation. In the morality section, the author presents all sides of the issue but seems to take the more moderate side of the religious application to a particular moral issue. With all the above being said, I would recommend this text for a college class and for the serious reader who wishes to understand the basics of world religions. In the hands of a knowledgeable instructor, this is an outstanding textbook.

1 of 1 people found the following review helpful.
Educational
By Amazon Customer
This book provides a great basis for learning about religions, but it makes you work for it. Some pictures, great descriptions, and enough background to get the basics but definately not light or entertaining. If you simply want to learn or are VERY interested in learning about different religions then this is a great purchase. It was a required text for one of my college classes, and served its purpose but I was not at all motivated to read extra chapters simply for the sake of learning. The language is fairly user friendly, and it is a well written, well researched text.

1 of 1 people found the following review helpful.
Fantastic resource
By Franklin D. Franks
I think this really is one of the best resources for learning about comparative religion.
Other resources tend to be much more picture oriented and this is more geared toward the text, which made it easier to read for me. If you want something with better pictures - I know there are way better books than this, but the writting in this one is better summarized than many others.

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Patterns of Sound - Vol. I A Practical Sight-Singing Course Series: Methodology Chorals STUDENT Composers: Emily Crocker, Joyce Eilers Don't read notes, read patterns of sound! This unique sight reading course for treble voices in elementary and early middle school does just that! PATTERNS OF SOUND uses excellent voice leading, careful sequencing and musically interesting exercises that can be combined to strengthen part singing, pitch relationships and to develop rhythmic independence. Volume 1 starts from square one, assuming no previous training, with exercises that are so carefully sequenced that the students are quickly singing four-measure phrases and eight measure songs in two parts and finding it easy! Students are introduced to notes, rests, meter, pitch and unison/2-part songs in Vol. 1, and continue in Vol. 2 with dotted rhythms & syncopation, keys & key changes and more 2-part songs. Use it every day and watch your students' confidence level grow! Available: Teacher's Edition (Vol.1), Student Edition (Vol.1), CD (Vol.1), Teacher's Edition (Vol.2), Student Edition (Vol.2). Recommended for Grades 3-8. Inventory #HL 40216092 ISBN: 9781458421388 UPC: 073999160925 Publisher Code: 63355 Width: 6.75" Length: 10.5" 56 pages

Sales Rank: #1562700 in Books
Published on: 2010-01-01
Binding: Paperback
56 pages

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Published on: 2007-03-01
Original language: French
Dimensions: 5.91" h x .94" w x 9.25" l,
Binding: Hardcover

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A complete insight into one of Britain's most celebrated novelists of our time. Rebecca was one of the great bestsellers. It has been read all around the world, and in many laguages. It has been highly successful as a play, a film, a television serial. Now Daphne Du Maurier reveals, very fascinatingly, how it came to be written: its origins, its development, the directions it might have taken, The original outline of the novel is here, and so is the original Epilogue. Daphne Du Maurier also reveals how she first came upon the secret house hidden away in Cornish woodland, that was to become the romantic setting of Rebecca: a house which stood derelict, and which she lovingly restored to make it her own home.

Sales Rank: #2493861 in Books
Published on: 1981-09-01
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 8.78" h x .67" w x 5.79" l, .79 pounds
Binding: Hardcover
173 pages

Review
'Dame Daphne's wise and attractive new book will enchant her many readers' SUNDAY EXPRESS

About the Author
Daphne du Maurier (1907 - 89) was born in London, the daughter of the famous actor-manager Sir Gerald du Maurier and granddaughter of George du Maurier, the author and artist. She began writing short stories and articles in 1928 and in 1931 her first novel, THE LOVING SPIRIT, was published. It was the novel REBECCA that launched her into the literary stratosphere and made her one of the most popular authors of all time.

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0 of 0 people found the following review helpful.
More Background Information for Du Maurier Fans
By C. Mathieu
I've read the other reviews and decided to add something new that has not yet been mentioned here before, but might be of interest to a few Du Maurier fans who plan a trip to Fowey in Cornwall, UK.

The most interesting chapters in this autobiographical book are the ones on how Du Maurier got inspired to write "Rebecca" while she and her husband were in Egypt and the "House of Secrets" chapter in which she talks about the time when she discovered the house 15 years earlier as a young girl vacationing in Fowey, Cornwall, with her parents and two sisters.
But I also got a lot out of her chapter on aging and widowhood.

What I enjoyed particularly was the fact that the autobiographical chapters have been put together in chronological order, so you can read the book from the first to the last page and notice that the next chapter is taking place later in Du Maurier's life and so on.

I've read all her novels and her (auto)biographies starting with
- The Glass Blowers (this is about her ancestors who immigrated from France to England during the French Revolution)
- Mary Anne (another ancestor who was the mistress of a British aristocrat)
- George DuMaurier (Daphne's grandfather who became famous for the magazine "Punch" and his novel "Trilby")
- Gerald Du Maurier (Daphne's father, a popular stage actor and later theater director in London)
- Growing Pains (Daphne's memoir from when she was a child until her honeymoon where she got inspired to write her wonderful novel "Frenchman's Creek")
In-between I would suggest reading Margaret Forster's biography which offers more information on Daphne's life
- The Rebecca Notebook (the last chapter was written by Daphne Du Maurier a few years, before her demise)

The special thing about Du Maurier is her love for certain houses/mansions. The locations in her books are all real and almost more important than the protagonists. I've been to Cornwall twice in my life and have seen the Helford River (satyed on the opposite side of Frenchman's Creek and also was on the Creek side and walked down from Donna St. Columb's house, I found Menabilly (crossed the property illegally :)), Kilmarth (her last home close to Menabilly), Fowey, their first house Ferryside opposite of Fowey in Boddinick, Readymony Cove next to Catherine's Castle in Fowey (where Daphne lived after she was able to rent her dream house while Menabilly was renovated), but I still haven't seen Cannon Hall in London.
However, I did the long walk mentioned in Forster's biography starting at Ferryside leading uphill and saw all the places mentioned.
I stopped several times at Jamaica Inn in Bodmin Moor, too.

After you are familiar with "Rebecca", I can highly recommend reading "Frenchman's Creek", "The House on the Strand" (taking place in Kilmarth plus there is a Bodrugan's Leap to which public has access) and "The King's General" (another Menabilly novel with a real background and real existing people as protagonists (check out the metal plate hanging inside the church in Tywardreath, Cornwall, look for Honor Harris)).

There is also a lovely documentary on her life (check out amazon.co.uk).

3 of 3 people found the following review helpful.
Up close and personal with Daphne du Maurier... and Rebecca
By CoffeeGurl
Having recently devoured most of her novels and short stories, and having read a fictional account about her, I've decided to read one of Daphne du Maurier's autobiographies. I was not able to obtain a copy of Myself When Young, her first memoir, but I did manage to obtain a library copy of The Rebecca Notebook and Other Memories.

This wonderful book contains notes, musings and rough drafts of Rebecca when the novel was still a work-in-progress. Du Maurier also recalls aspects of her first years of marriage and her first impressions of her home estate called Menabilly. She also gives insights into her mind as she focuses on her work. Rebecca is very much loved among readers, and having this account of how its creator comes about writing it while going through some personal growth herself is fascinating. The book, while insightful, doesn't compare to her novels though. (Hence the three stars.) It is also quite short. I was able to finish rather quickly. Still, this is a good thing to read if you're a fan of this author. I have read about Jane Austen, Charles Dickens and others, and wanted to read about this author -- from her own pen at that! I very much look forward to reading either Myself When Young or The Du Mauriers. There is also The Daphne du Maurier Companion and other biographies that talk about her supposed extramarital affairs and rumored bisexuality, which Ms. Du Maurier remarks upon by way of her "male alter ego" Richard Young in The House on the Strand. Those books all seem interesting, but in the meantime get this at the library if available.

1 of 1 people found the following review helpful.
This Is Like Reading Daphne Du Maurier's Diary
By Bonnie M.
I enjoyed this book even more than "Rebecca," as she talks about what was going on in her life and gives so many personal insights to Daphne the woman and the writer.

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Hardcover Spiral Book enclosed and sealed within a Mylar covering-Intact Never opened -This is a Collectors item -Almost 20 years old -WoW

Published on: 1992
Binding: Hardcover

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88 of 104 people found the following review helpful.
Madonna Like You've Never Seen Her Before
By Luis Hernandez
Now out-of-print, Madonna's "Sex," book was one of the 1990's greatest hypes due to its' graphic depiction of sex. Where else can you see Madonna strutting down Miami Beach with Vanilla Ice naked, or see her making out with such celebrities as Isabella Rossellini and Naomi Campbell?
The book, which was bounded in an orginal format involving two sheets of metal, each numbered, and sealed in a Mylar plastic sleeve is genius. Although it is a book that is highly likely to cause airport security to open your bags, Madonna must have had a reason to do something so creative, yet so risque.
Truly, "Sex" remains a classic due to its main goal of reopening the sexual revolution in the evangelicalism the 1990's brought. Homosexuality, lesbianism, and fetishes were all somewhat taboos to be discussed or shown in public, however nowadays attitudes have changed. In some ways, Madonna was a pioneer, and as so, she deserves credit for being the most outrageous, daring woman of the 20th century.

72 of 85 people found the following review helpful.
Fascinating Failure
By Tom
When this book came out in 1992, I was surprised how stark the book was and what a dark tone it took on. This was not a fun, erotic book but a rather somber look at sex and relationships. Back then I was turned off and thought Madonna had made a mistake. By all accoounts, it probably was as Madonna's image suffered and her status as 'pioneer' came to an end. It just wasn't as cool to like Madonna anymore. From 1992 to 1995, Madonna could no right in the public's mind, and although songs like 'Secret' and 'Take a Bow' were major hits and proved Madonna was still a musical force to be reckoned with, 'Sex' was the turning point in Madonna's career as cultural icon.

Now 12 years later, 'Sex' actually does carry some merit. It's still amateurish, particularly the packaging (what were they thinking with the binding??) and some of the phots (ie. with the skinhead lesbians and Naomi Campbell, Big Daddy Kane and Vanilla Ice) are pointless and silly, but some of the text is quite sexy, and Madonna explores some provocative themes such as S/M, power dynamics in relationships and bisexuality and homosexuality that are both sexy, insightful and funny.

I think Camille Paglia said it best in her 1992 review in 'Us' Magazine that the best photos in the book were the ones of Madonna on her own. I agree. The pictures of Madonna playing sexy housewife, hitchhiking nude, hand gliding nude and eating pizza in the nude are both voyeuristic and exciting, as Madonna plays out these roles with the sense of humor and fun that we've come to expect. The rest of the book is quite dark and yet you have to admire Madonna for showing the negative side of sex rather than just flashing her body for a quick buck. She actually makes an attempt to be intellectual about sex and pornography.

'Sex' is interesting reading and viewing. It is a fascinating failure. I think Madonna should have gone the route of playing characters rather than interacting with others and she should have concentrated more on the text. She could have also used a more original title.

As for the Christian reviewer who says that Madonna 'regrets' the book. I don't remember Madonna saying she regrets it but she wishes she had presented it in a different way. Deep down, I think she regrets it from a career standpoint but she should be proud of the things that she presented in this book. Her comments at the beginning of the book where she distinguishes fantasies from the dangers of AIDS are pointed and she also poignantly remarks that there is nothing better than sex with love.

In this book, it's almost like Madonna is searching for that love, and this book admirably points out the loneliness and unfulfillment that even sex brings.

25 of 29 people found the following review helpful.
..."inviting and titilating"...
By A Customer
What a team....Madonna & Stephen Meisel. Who would have thought that putting the most famous woman in the world together with one of the top photographers in the country would bring forth a phenomenal, gratifying, "sexsational" picture book. Madonna plays various roles as she is dominating, being dominated and just having a ball with exploring the world of fantasy and pleasure. In this book Madonna brings forward all types of fantasies that the general public would rather put under the rug and not talk about. That's the key to Madonna's success with this book. Madonna wants you to see what goes on and what exists, she's not afraid and rises above. Madonna puts herself in vulnerable and steamy situations as part of her fantasy. The letters she writes as the narrator of the book, "Dita Parlow" are eye-catching and satisfying. Madonna falls into the character and delivers a sensational literary work. The CD is also very erotic and sex-drenched to go along with the theme

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